The Cinema
by Margo LaPierre
Cover Image by Michael Yull
The Cinema
by Margo LaPierre
Published September 3, 2021
Author's Note:
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This eleven-year-old poem was mysteriously dropped off at my front door in May of 2021 by a family member who’d found it on ye olde family computer and decided to print it off. I perceive the poem, and perhaps you will too, as unnervingly clairvoyant re: the Covid-19 pandemic. I’ve pared back—it was originally ten pages—and I’ve changed the formatting, but have not changed or added anything else.
This poem is on the bipolar/manic side of my work—but whether or not it is prophetic, or mad, or just a bit uncanny, I think it speaks to our pandemic.
Written in November 2010 in the days following a personal decision that cracked open a new future, with Covid-19 still a decade away, this post-apocalyptic poem poured out in the space of three days. In it, an adult speaks to a child about a friendship with the child’s mother in the early days and years of the catastrophe, during her pregnancy and the child’s infancy.
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When one could still find an opening in a crowd
in the subways, chiming in as the tokens clinked
hurry, you said, we’ll be late for the cinema
when everyone had left,
when the supper clubs and lounges sent their children home to bed
the tower clock was tolling and the light was shining in
hurry, you said, We’ll be late for the cinema!
in an age when one could still see a comedy
before the voices were prerecorded
was an age when one could still enjoy a comedy
hurry, you said, we’re always late for the cinema
to the clean stink of gin, the lemon-scented scrubbing
at the floor around the windows where the air had been let in
spotty towels were rolled into sausages
and shoved into the cracks where you had often sat
watching dust motes flee upon the stair
spread-eagled on the floor with one eye under the door
where you watched your neighbour hurry down the stair
then, television-coddled, you slumped down to rest
the scent around your ears of prim, perfumed fingers
and every night she scrubbed
your hands, held aloft the kitchen sink
and as you slept, the stinking clean of gin
the tower clock was tolling and the light was shining in
Mama, you said, What is the cinema?
there were good reasons we thought that it might last
it was our glorious city where the lights blazed on
where quiet only lived to cull the noise
of snow as parades of votive taxicabs
extinguished each in turn their amber eyes
where relatives and peddlers clamoured
to find something of value in the midst of such a chaos
in it, whatever that is, wherever we are
he turned to her and said
we’re really in it this time
he cupped her silhouette in the window
in the window behind her crisp and columbine
parabolas of smoke were rising
like an anthem to the endless list of things
about to to be lost in the closing hymn, the closing scene
I think about your tongue, your lips
he said and traced the willing line across her hips and coughed
into her neck and wept in turn
What then, when too much time has passed
within the feeble lines we’ve used to mark our space?
Wherever we are, she said, We are—
but then he interrupted and once again, he said
we’re really in it this time
the day the Don Valley Parkway crumbled
the shale shook itself loose with one crusty shiver
its villain cloak, its populated mask
your mother danced that day
as you lay poised
inside her fevered flesh
between our two taut bodies
I need to dance, your mother said
I need to dance, she turned and said to me
Hurry, you said, We’ll be late for the cinema
and of course we were late for the cinema
late for the dust, the crimson room was
lined with fever while the lake grew cold
I need to dance, your mother said
I need to dance, she turned and said to me
Margo LaPierre
Margo LaPierre is a queer, bipolar Canadian editor and author of Washing Off the Raccoon Eyes (Guernica Editions, 2017). She is newsletter editor of Arc Poetry Magazine, Editors Ottawa-Gatineau’s membership chair, and member of poetry collective VII. She won the 2020 subTerrain Lush Triumphant Award for Fiction and was a finalist in the 2020 TWUC Short Prose Competition and the 2020 Nick Blatchford Occasional Verse Award. Her multi-genre work has been published or is forthcoming in the Temz Review, Room Magazine, Arc Poetry Magazine, filling Station, CAROUSEL, PRISM, carte blanche and others. Find her on Twitter @margolapierre.